Post by imissvtv on Jun 23, 2006 22:53:32 GMT -5
November 1, 2001 - Boards Magazine
Special Report: Broadcast Design
Upstairs buttons Global
by Rae Ann Fera
page 56
For the recent redesign of news programming on Canadian network Global, Toronto's The Studio Upstairs dared to play with the station's long-standing crescent moon motif.
Charged with the task of making the Global brand appeal to a wider audience, the Upstairs crew blended the existing crescent into a series of concentric rings moving around lens-like buttons, also housing the crescent.
"They said 'Make us look good," says Upstairs executive producer Michael Churchill. "And the one thing we didn't want to do is make it look like everybody else's newscast."
Upstairs redesigned program identification for the national and local news broadcasts, the sports news program and current affairs show Global Sunday. Red rings flow and layer to create crescents amid light flares for Global National and was designed by Michael Churchill. Global Local, designed by Robert Pilichowski, retains similar elements, though is lighter in color and tone. Global Sports, designed by Michael Spicer, maintains the same color scheme, but employs motion graphics to distinguish it from the others. The Global Sunday branding, however, takes a departure from the button/crescent motif. "Global Sunday is still a news product, but staying within the button motif didn't make sense for a current affairs show," says Churchill.
"So, we wanted to create some distinction. With this one, they gave us a lot of leeway."
The Global Sunday design (designed by Robert Pilichowski and created in After Effects in Mya) utlizes a simple black, white and red color palette. The camera pans across graphical B&W Canadiana scenes, while silhouettes and images of host Charles Adler pop up intermittently, all the while set to a jazzy score.
The Studio Upstairs has also recently completed broadcast work for The Men's Network, which creates a mechanical journey rather than photo realistic images and for the Discovery Channel program, 24 Hours that blends images from around the world, time elements and motion graphics to illustrate the hurried pace of the show.
Webfiles:
The Studio Upstairs> www.thestudioupstairs.com
Special Report: Broadcast Design
Upstairs buttons Global
by Rae Ann Fera
page 56
For the recent redesign of news programming on Canadian network Global, Toronto's The Studio Upstairs dared to play with the station's long-standing crescent moon motif.
Charged with the task of making the Global brand appeal to a wider audience, the Upstairs crew blended the existing crescent into a series of concentric rings moving around lens-like buttons, also housing the crescent.
"They said 'Make us look good," says Upstairs executive producer Michael Churchill. "And the one thing we didn't want to do is make it look like everybody else's newscast."
Upstairs redesigned program identification for the national and local news broadcasts, the sports news program and current affairs show Global Sunday. Red rings flow and layer to create crescents amid light flares for Global National and was designed by Michael Churchill. Global Local, designed by Robert Pilichowski, retains similar elements, though is lighter in color and tone. Global Sports, designed by Michael Spicer, maintains the same color scheme, but employs motion graphics to distinguish it from the others. The Global Sunday branding, however, takes a departure from the button/crescent motif. "Global Sunday is still a news product, but staying within the button motif didn't make sense for a current affairs show," says Churchill.
"So, we wanted to create some distinction. With this one, they gave us a lot of leeway."
The Global Sunday design (designed by Robert Pilichowski and created in After Effects in Mya) utlizes a simple black, white and red color palette. The camera pans across graphical B&W Canadiana scenes, while silhouettes and images of host Charles Adler pop up intermittently, all the while set to a jazzy score.
The Studio Upstairs has also recently completed broadcast work for The Men's Network, which creates a mechanical journey rather than photo realistic images and for the Discovery Channel program, 24 Hours that blends images from around the world, time elements and motion graphics to illustrate the hurried pace of the show.
Webfiles:
The Studio Upstairs> www.thestudioupstairs.com